Thursday, May 5, 2011

Aathing K.P. Tamsang Lepcha Language and Literary Award 2010



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‘The Aathing K.P. Tamsang Lepcha Language and Literary Award’ was first set-up and
established in 1996 with the sole aim of uplifting and developing the Lepcha language and
literature in Mayel Lyang by Ren and Renyoo Lyangsong Tamsang of Bom, Kalinpong. The award is given, annually, in memory of Aathing K.P. Tamsang, a renowned Lepcha scholar, linguist and thinker who worked untiringly throughout his life for the maintenance and
development of the Lepcha language, literature and cultural heritage, to a deserving person or institution irrespective of community, creed and country.

The former recipients of the Award are as follows:

1996 - Dr R.K. Sprigg of England
            Ren Topden Salong of Dzongu, North Sikkim    ( Joint recipients )
1997 - Ren Ong Tshering Lepcha of Riyon, Kalimpong
1998 - Upper Pachaok Lepcha Night School, Kalimpong
1999 - Ren Ugen Shipmoo of Gangtok, Sikkim
2000 - ‘Dabling Lapcha Night School’, Kalimpong
2001 - ‘Lower Byong Lepcha Night School’, Kalimpong
2002 - ‘Sahaor-Om Lepcha Night School’, Lyang Sa, Kalimpong
2003 - ‘Naok Hlo Lepcha Night School’, Kalimpong
2004 - ‘Zo Lepcha Night School, Samthar’, Kalimpong
2005 - ‘Sanong Char Lepcha Night School’, Lower Mamring, Sittong, Kurseong
2006 - ‘See Loo Lepcha Night School’, Mirik, Darjeeling
2007 - ‘Prektaam Lepcha Night School’, Kalimpong
2008 - ‘St Joseph’s School, Git-Dabling, Kalimpong
2009 - ‘The Lepcha Tribal Association, IIIam, Nepal

The Aathing K.P.Tamsang Lepcha Language and Literary Award 2010 is awarded to Ren Gautam Lepcha, Mamring, Sittong for his outstanding contribution towards the conservation, maintenace and development of the Lepcha language and  literature.

To keep the record straight, Ren Gautam Lepcha is the first person to write and bring out a Lepcha novel, ‘Chyoojaong’ meaning like the Himalayas from Mamring,Sittong, Kurseong
Sub - Division, eight years ago.  It contains some superb, outstanding writings.  It flows like a river, smooth and effortless. He has blended, very successfully, the Rong tradition,culture, life style, romance and adventure in it.  It is, undoubtedly, a very interesting, entertaining and above all a thought provoking Lepcha novel.

Ren Gautam Lepcha is also a well known Lepcha poet and lyricist. His’Taarsyok kaat sagraam Rong Kup Kati’ meaning the Lepcha under one flag, a collection of poems, came out in 2004.  This book of his inspired the Lepchas, especially the Lepcha youths so much that they jointly produced a Lepcha cassettee in 2009. Most of his poems are also translated into English for wider readership.
Ren Gautam Lepcha also contributes poems and articles for the Lepcha magazines,
‘Aachuley and King Gaeboo Aahyok’ time to time.

Through his writings, he has been successful in inspiring the Lepcha to preserve, maintain and develop the ancient Lepcha language, literature and culture.

The Indigenous Lepcha Tribal Association, Headquarters Kalimpong, take this opportunity to congratulate very warmly Ren Gautam Lepcha for his love,devotion and hard work for the
preservation, maintenance and development of the Lepcha language, literature in Mayel Lyang.

      For his outstanding work and achievement in the field of Lepcha language and literature,
Ren Gautam Lepcha, Mamring,Sittong is recognised with a very prestigious award,’Aathing K.P. Tamsang Lepcha Language and Literary Award 2010’. It carried a citation and cash prize
of Rs. 17,000.00 ( Rupees seventeen thousand). This award was presented by Renyoo Mayel
Clymit Sungdyangmoo, eldest daughter-in-law of Aathing K.P. Tamsang to Ren Gautam Lepcha
on 20 December 2010 during the King Gaeboo Aahyok Birth  Anniversary at Mela Ground,
Kalimpong.




Wednesday, May 4, 2011

THE LEPCHA CANE BRIDGE , RU-SOAM


“Soon afterwards, at the most wild and beautiful spot, I saw for the first time, the most characteristic of Himalayan object art. a cane bridge,”
J.D.Hooker (1848)




THE LEPCHA CANE BRIDGE
The Lepcha cane bridge is one of the most characteristic of the Himalayan objects of art. In Lepcha language, a cane bridge is called “Ru-soam”. Around the bases of all the high hills and ridges of Sikkim and Darjeeling, usually the rivers are steep and rocky and both the flanks are clothed with the richest tropical forest. On both sides of the rivers edge, the banyan and the rubber plant trees grow everywhere most abundantly. Usually the banyan and grasping at every available support, while its branches loaded with deep glossy foliage, hung over the river and such a tree is formed as the pier for the canes, and on the opposite bank another similar tree is found out and between them swing the cane bridge, about 300ft to 400ft long, ever rocking over the swift current 50ft to 100ft below.
When the proposal for the construction of a cane bridge is unanimously decided by the Lepcha on a certain place, the Lepchas start collecting long and large size canes and also long and large size bamboos from the jungles and assemble them on both the flanks of the river where the cane bridge is going to be constructed. When sufficient canes and bamboos are collected, again the Lepcha assemble and fix an auspicious date for the construction of the cane bridge. On that auspicious day, very able bodied Lepcha archers with long bows and arrows gather on both the flanks of the river. They all tie very long and thread like thin canes on the tip of their arrows and shoot it across the river to reach it on the either side of the river banks. This is the most difficult job and sometimes whole day long to shoot it reach across the river bank.
When the archers are successful in shooting out the arrows tied with the thin cane threads to the other side of the river banks, then the assembled Lepcha of both the sides of the river very tightly tie several long, and toe thumb size thick canes on the thin thread like cane, which on signalling from both side, the Lepchas of both sides pull it very slowly and carefully so that it may not break off while pulling it. When this most difficult job is done, then the bridge is constructed within hours.
The lightness and extreme simplicity of the cane bridge structure are very remarkable. Two parallel canes, on the same horizontal plane, are stretched across the river, from them other canes are hung on loops, and along the loops are laid one or two bamboo stems for flooring; cross pieces below this flooring hung the two upper parallel canes, which they thus serve to keep apart. The travellers hold one of the parallel canes in either hand, and walks along the loose bamboos laid on the swinging loops, carrying a load of 40 kilograms. With the shoes on, it is not easy to walk, and even with barefoot it is often difficult, there being frequently but one bamboo which, if the fastening is loose, tilts up, leaving the pedestrians suspended over the torrent by the slender canes. When properly and strongly made with good fastenings, and a floor of bamboos laid travesty, these cane bridges are easy to cross. The canes are procured from a species of Calamus called ‘Ru’ in Lepcha. They are as thick as the thumb, and 100 ft to 200 ft long, knotted together and the other pieces are fastened to them by strips of the same plant. A Lepcha carrying about 60 kilograms of load on his back, crosses without hesitation, slowly, but steadily, and with perfect confidence.
In Lepcha, the two parallel canes are called ‘Saomgyang’, the swinging cane loops are called “Ahool”. The bamboo laid on the centre of the flooring on which the travellers walk is called “Saomblook”, and the two main parallel canes that are tied on both sides of the trees so as to strengthen and tighten the bridge is called “Soamngur”. The two entrances on either sides of the bridge is called “Soamveng”, and the whole bridge is called Ru-soam. The general name of the bridge is called a Saom.
But sad to say that now this old fashioned Lepcha cane bridge, once the most wonderfully admired arts of the ancient Lepchas have become or becoming a thing of the past and in its places, new iron rope suspension bridges have been constructed for the convenience of the people. Never the less, a few cane bridges are still found in the remote Lepcha villages lying at the foot of the Himalayas, where the modern civilization has not reached there as yet.

K.P.TAMSANG




A FLIM BY DAWA T. LEPCHA

Tuesday, May 3, 2011

Rong Aprya Vom LEPCHA FONTS REQUIRED


Vor Aaìa v)

p_Vos acVir_ isim(mU
tSe Gaas VaÀ, kalNeVpu

       1.     AacUle ye cUnNu iÜ^bU
              Vor kayUre 2
              afVoà AaViT_ nVozJUsa
              $zkBu kayUre 2

                           2.  AacUle ye cUnu iÜ^bU
                                  VorkBu kayUre 2
                                  mayLe malXU VÎa AaVoqka
                                  bMabU kayUre 2

       3.  AacUle ye vUnu iÜ^bU
              VorkBu kayUre 2
              Aaab VoriÜ^ AamU VorJU VAU
              AaVoq VoTbUre 2

                           4.  AacUle ye cUnu iÜ^bU
                                  VorkBu kayUre 2
                                  VAU AaVoqZz [tzXu n_la
                                  [TbU kayUre 2

       5.  AacUle ye cUnu iÜ^bU
              VorkBu kayUre 2
              VlUÃNe iàòMu VAUVondaZz
              ÃNebU kayUre 2

                           6.  AacUle ye cUnu iÜ^bU
                                  VorkBu kayUre 2
                                  VorkBu AamUVir_ aCVim_ aCyXu
                                  iJ)bU kayUre 2

        7.  AacUle ye cUnu iÜ^bU
              VorkBu kayUre 2
              lUVÃNe nMasa nMaALa nMabNu
              VsUbU kayUre 2

                           8.  AacUle ye cUnu iÜ^bU
                           VorkBu kayUre 2
                           VÎa VaÀ aHEu VAUVaÀ VîaZp
                           iT(bU kayUre 2

       9.  AacUle ye cUnu iÜ^bU
              VorkBu kayUre 2
              sXudMu $zVonka AaVnabU $zkDa
              VorkBu kayUre 2

                           10.  AacUle ye cUnu iÜ^bU
                                  VorkBu kayUre 2
                                  sXudMu gNurMe tad kBuZz
                                  lNeoC mDabUre 2







"migrum sa lieu" LEPCHA FONTS REQUIRED



im(VàUsa ÎU

nUbU iCVir_ Vor
bMu VOÀ
kaleNVpu
VonVya Vonil^ OlM
s) ogsa im(VàU
AamU AaObsa . . . . . ic+%l gMu
                                         kUàe mU Obsa
                                         s)!dsa im(VàU
                                         T+rBusa [lka . . . . . Aair( gMu

maA miAsa
s) ]q AaîeDka
im(VàU m$ÌbU . . .. . . sXa$n gMu
                                         nMaOk Aaogka
                                         s) qLU qMuSeDsa
                                         im(VàU A)bula . . . . . . Aa#v gMu

s) Vit_sa sXaVoÒ
im(VàUka !ÎbNa
T^Vir_ buJeDbU... . . . .. imVlU gMu
                                         s)Vva s)teXba
                                         rXuJMabU OdM
                                         im(VàU imÎUsa. . . . nMaVog gMu

AaVT_ leNoCsa
AaèNU AaVoqbU
s)JeDsa im(VàU. . ... .. . p#n gMu
                                         ikdXu VsuàuZY
                                         $Àid^sa im(VàU
                                         nMuiS)JU l^sa. . . . .  ÄXal^ gMu

%òVlu ÂeXbU
ViA_Ga AaÏeRsa
im(VàU sXudMureM.. . . . . s) s_ gMu
                                         Qu murMu TXanu
                                         ]ÎbUsa im(VàU
                                         Qu[l $ísa. . . . . !SVot gMu
òMu VlU%Àba
ÔDe OTbU im(VàU
leNVoq imVomka. . . .. . .  l+ sDu gMu
                                         ANaaz ANaidnu
                                         VlU Õ_OTbU
                                         im(VàU AaÅDUsa. . . .. . . imil) gMu
ÂeVpu AaÅLUka
&Tl^ Quq^sa
im(VàU Aaogsa. . . . . pNu&d gMu


Damsang Gree – A Historical Holy Place of the Lepchas





Dr. D.C.Roy

A good number of holy or sacred places of the Lepchas, the autochthonous inhabitants of the Eastern Himalayas, are lying scattered all over Mayel Lyang, the original land of the Lepchas. Most such places are related with the Lepcha mythology while some others have historical origin. Most legendary sacred places are located in and around Sikkim like Faokraam Tukraam (original Lepcha name of Dzaongoo), Naamprikdang, Tendong Lho etc. Some events or happenings make some places historically important and sacred to the Lepchas. Blood Brotherhood Treaty between Thikong Tek, Lepcha leader and Khy-Bumsa, Tibetan leader has made Kabi Longtsok a historical sacred place. The rule and dedicated life of the last Lepcha king Pano Gaeboo Achyok make Damsang-Daling another blessed place to the Lepchas.
Located at the elevation of 6,300 ft on Kalimpong-Rishi road, Damsang fort is strategically important to keep watch on the intruders from all sides. Making a 16 km journey from Kalimpong to the north east before Pedong, the fort can be approached by a bridle-path. It is on the main route to Tibet via Jelap La and can be used as an alternate route for Gangtok via Rhenok. Now the fort is under the renovation and protection of Pedong and Kashyon Kyong Shezoom (Lepcha village organisation).
Damsang Gree or i.e Damsang  fort is one of the important historical holy or sacred places of the Lepchas of Kalimpong in particular and Darjeeling, Sikkim, Ilam and Bhutan in general. It was not only a fort but a palace of Pano Gaeboo Achyok, the last Lepcha king of the region. “Achyuk had his capital or headquarters at Daling Fort near the plains, and another, a subsidiary one, the Tamsang or the Damsang Fort, in the hills near Pedong” (A.R.Foning, 1987: P – 123). But most Lepchas believe that Damsang was the main and the only palace of Gaeboo Achyok. Kalimpong sub-division in those days was known as Damsang which “was an independent country ruled by Pano Gaeboo Achyok and his forefathers. After the death of Pano Gaeboo Achyok, Damsang was annexed by Bhutan until 1865 when the British defeated the Bhutanese at Daling Fort, Damsang, and annexed it into British India” (L.S.Tamsang, 2008 : P-IV). As per the name of the fort and the region, the Lepchas residing in this region even today are known as Damsang Moo. The other Moos or clans on the basis of their place of residence are : Renjyong Moo (Lepcha residents of Sikkim, Darjeeling, Siliguri and Kurseong), Ilam Moo (Lepcha residents of Nepal) and Pro Moo (Lepcha residents of Bhutan).
Each year on 20th December, Lepchas celebrate the birth anniversary of their last king Pano Gaeboo Achyok. The celebration starts at Damsang, the palace of the king early in the morning with Chi Faat by the Boongthing and Mun. Chi is offered in the name of the soul of Gaeboo Achyok, the Pano or the king and Pundee Nalimit, the Queen. The priests thank the king for dedicating his life for the cause of the Lepchas. They narrate the tale of the brave activity of the leader and express their gratitude for saving the community from destruction. By remembering the act of his treacherous murder by the Bhutanese, the Lepchas take oath of remaining united to fight against the enemies. The offering and the prayer are performed as per typical Lepcha style. Mun Jermit Lepcha, Mun Norden Lepcha, Boongthing P.T. Lepcha, Boongthing O.T. Lepcha, Boongthing Gaeboo Lepcha are some of the prominent Lepcha priestesses and priests who perform the role of offerings. There is no written prayer for this particular occasion and the whole business is verbally and spontaneously carried out by the priests. The chanting of mantras is in pure Lepcha language and the invocation tune is melodious and in pure Lepcha style.  
Lepchas from all over the district and also from Nepal, Bhutan, Sikkim and other parts of the country assemble at Damsang to take part in the birth anniversary of the king. It becomes a typical Lepcha ethnic cultural function and perhaps the highest annual community gathering of the Lepchas. The Lepcha males in their colourful Daam-praa and the females in their beautiful Daam-dem make the gathering picturesque. The young and the children not only look smart in their community attire but this inculcates the sense of community pride among them. All Lepchas irrespective of their age, sex and place of residence anxiously wait throughout the year to pay a visit at Damsang and get blessings from the divine soul of Pano Gaeboo Achyok, the saviour of the community. 
In the relics of Damsang fort one can find separate rooms for the king, queen, their bath rooms and rooms for the guards or the soldiers. It is not a palace or a fort in the modern sense of the term and one needs to investigate it from the angle of a small community like the Lepchas who ruled in these remote, hilly areas of Eastern Himalayas in the ancient days. The fort was constructed absolutely with locally available materials like stone and mud and there is no evidence of any imported materials or skill. It is a fine evidence of typical architecture which Lepchas use and it simply supports the claim of the Lepchas that they are the builders of the fort. Strategically the fort was constructed at the top of the hill from where one can keep a close watch on the intruders from all sides. History witnessed frequent attacks on theLepcha land by the Bhutanese from the east, by the Tibetans from the north, by the Nepalese from the west and by the British from the south. The location and the height of the fort favoured the Lepchas to fight with their traditional war equipment like bows and arrows and stones from the above. Naturally the hill top added some advantage to the Lepchas over their enemies. The importance of Damsang as strategic point for military post has also been recommended by British Colonel D.J.F.Newall. In one letter to the British government dated 04.01.1873 he wrote: “It occurs to me to remark that several very promising plateaux for sites for “military colonies” or “reserve circles” such as have at times been advocated as a means of frontier defence, exists in this district; such are found at “Damsong” “Kalingpoong” on the Bhootan frontier to the east across the Teesta”. (Quoted by J. Sen, 1989 : P 102). The letter speaks itself about the strategic importance of the place and the foresightness of the Lepchas in choosing the site as one of the military posts in those days. 
There are two schools of thought about the period when Damsang fort was constructed and the community who constructed it. The European writers, explorers, administrators believed that the fort  was constructed by the Bhutanese. Such statements are simply due to the fact that this area for one hundred and sixty five years (1700 – 1865) was under the Bhutanese control and naturally those who visited this place during the period witnessed the fort under the possession of the Bhutanese. In fact, writings on the Damsang fort, whatever fragmentary and meagre, are available only after the British took over Darjeeling in 1835. Again British captured the fort from Bhutanese in December, 1864 through the second Anglo-Bhutan war which is popularised as Duars War. D.F.Rennie narrated the capture of Damsang by the British as: “Captain Perkings, with a few Sebundy sappers, proceeded across the hills and took possession of Dhumsong fort, a small quadrangular building constructed of stones and mud; its beautiful situation being the only thing worthy of note connected with it. No attempt at resistance was made, the place being quietly given up. Colonel Haughton proceeded there and arranged that it was to be occupied by a detachment of fifty men of the 17th Native Infantry, who were accordingly sent from Darjeeling under the command of Lieutenant Dawes, and reached Dhumsong with their baggage, after a journey characterised by no ordinary difficulty and fatigue” (D.F.Rennie 1866,
2005: P- 175). J.C.White also mentioned about the occupation of Damsang and other forts of the region by British. “Mynaguri, Daling, Damsong, Samtsi, Dongna, and Buxa were successively occupied by the two left columns, with but little loss on our side, and the military occupation of the Bengal Duars was completed by the end of the year” (J.C.White, 1909, 2005: P- 278).  But the mere occupation of Damsang from the Bhutanese by the British does not sufficiently prove that the fort was constructed by the Bhutanese. There are ample grounds to believe that before the occupation of this area by the Bhutanese in 1700, there were a number of forts including the Damsang fort in this part of the Himalayan belt1. 
Lepchas claim that Damsang Gree was originally constructed by them and later it was occupied by the Bhutanese by treacherously killing their last king Pano Gaeboo Achyok at Daling. Later in 1864 British captured the fort by defeating the Bhutanese in war. Lepcha folktale narrates the treacherous killing of Gaeboo Achyok by the Bhutanese. Gaeboo, the Lepcha leader of Damsang area, fought for the freedom, liberty and peace against the Bhutanese attack, plunder, pillage of cattle, food grains, properties and molest of women and children. After several defeats the Bhutanese authority sent some presents and appealed for friendship and peace. Gaeboo responded positively and attended a party given by the Bhutanese at Daling fort. “But that very night when very body was in deep sleep, the treacherous Bhutanese General Ashyik Doogey killed the sleeping king Gaeboo Achyok by chopping off  his head, but miraculously to the very eyes of the murderer, Ashyik Doogey, king Gaeboo Achyok’s chopped off head flew away and fell into a deep water gorge of the nearby ‘Chel’ river and until this day, this deep water gorge is well known by the name of ‘Bhootey Daha’, meaning devil’s pond” (K.P.Tamsang, 2005 :P – 7). Even today both Lepchas and Bhutanese are scared of the place and offer prayer to the departed soul, which they believe to be present, while passing along the path. 
Beside Damsang, Lepchas claim that they have constructed a good number of forts all over the Eastern Himalayan region where they were the rulers in the ancient days. Within and around Mayel Lyang several forts were constructed to protect the land from foreign attacks which in those days were very frequent and common. Forts in the eastern region were constructed to prevent Bhutanese attack; in the west to counter attacks from Nepal; in the north to protect the land from Tibetan attack. “The innumerable huge and rugged Lepcha forts of Damsang, Daling, Fyung, Savong Dang, Mungzing, Laiti, Songsaw, Tusaychyok and many smaller ones that are still proudly standing in Darjeeling district are the most typical examples of the art of Lepcha architecture” (K.P.Tamsang,1983:  P – 71).
There is no doubt and by this time it has been well established and accepted that Lepchas are the original inhabitants of Eastern Himalayas which they call Mayel Lyang. “The boundaries of Sikkim were next fixed. They were Bibdala in the north, Singsa, Dag-yas, Walnug, Yangmang Khangchen, Yarlung and Timar Chorten in the west, down along the Arun and Dud Kosi rivers, down to the Mahanandi, Naxalbari, Titalia in the south. On the east Tagong La and Tang La on the north” (Sir Thutop Namgyal and Yashey Dolma, 1908 : P – 21). Before the Tibetans occupation, Mayel Lyang was ruled by a number of Lepcha leaders, if not the king. “Tarvey Pano (king) or King Tarvey is the first notable figure in the Lepcha history. The period of reign of King Tarvey was 1420 approximately. After the death of King Tarvey, three successive Lepcha rulers (Tur-Sang Pano, Tur- Ageng Pano and Tur-Ayek Pano) sons of their royal father ruled the land. However, C. De B. Stocks, following Lepcha tradition, observed that Tarvey Pano and three other Panos ruled the land apparently at the same period. Then it can be inferred fairly that perhaps the old Lepcha land of Sikkim had more than one principality reigned under these Panos.” (D.C.Roy, T.K.Das, 1999 : P- 12). It is quite natural that these leaders took necessary steps in protecting their land and might have constructed a number of forts all over the region. One such fort might have been constructed by Gaeboo Achyok in Damsang. It thus negates the narration of Gazetteer of Darjeeling that “Damsang contains an old fort of Bhutanese origin” (Govt of West Bengal, 1980: P – 599). The Lepchas consider Damsang as one of the sacred places of Kalimpong and offer their prayer during the birth anniversary of Gaeboo Achyok. In fact, it is one such occasion by which the marginalised Lepchas are trying to rejuvenate their community feeling and acquire energy to revive them.  
Lepcha folk-tale claims that Damsang was constructed by the Lepcha king Gaeboo Achyok; the Europeans narrated it as Bhutanese origin. But no scientific study has so far been carried out to unveil the truth. An archaeological survey along with comprehensive historical investigation of the area is urgently called for to investigate and bring into light the fact behind Damsang. 

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References:
1. Foning, A.R. (1987) – Lepcha: My Vanishing Trive. Starling Publishers Private Limited. Delhi.
2. Government of West Bengal (1980) – Gazetteer of India: West Bengal. Darjeeling. Calcutta. 
3. Maharaja,H.H., and Maharani Dolma of Sikkim (1908) – History of Sikkim. Unpublished Typed Manuscript. 
4. Mainwaring,G.B., (1876) – A Grammar of Rong (Lepcha) Language. Daya Publishing House. New Delhi. Reprint, 1985.
5. Rennie, D.F. (1866) – Bhotan and the Story of the Dooar War. Reprint Pilgrims Publishing Varanasi. 2005.
6. Roy,D.C., Singh,A.P.& Das,T.K., (1998) – The Legend of Gaybu A-Chyuk: Recusant and Commoners Hero- A Review of Existing Literature. Article in King Gaeboo Achyok. A Lepcha  Bilingual Magazine. The Lepcha   Literary Organisation. Kalimpong.
7. Roy D.C. and T.K.Das (1999) – Leaders and Personalities among the Lepchas – An Unending Quest. Article in King Gaeboo Achyok Bilingual News Magazine. Lepcha Literary Organisation. Kalimpong
8. Roy,D.C., (2005) — Dynamics of Social Formation among the Lepchas. Akansha Publishing House. Delhi. 
9. Roy,D.C., (2010) – Status of Women among the Lepchas. Akansha Publishing House. Delhi. 
10. Sen, J., (1989) - Darjeeling: A Favoured Retreat. Indus Publishing Company. Delhi. 
11. Tamsang, K.P. (1983) – The Unknown and Untold Reality about the Lepchas. Luen Sun Offset Printing Co. Ltd. Hong Kong. 
12. Tamsang, K.P. (2005) – King Gaeboo Achyok. Article in King Gaeboo Achyok Bilingual News Magazine. Lepcha Literary Organisation. Kalimpong.
13. Tamsang, L.S. (2008) – Lepcha Folklore and Folk Songs. Sahitya Academy. Kolkata.
14. White,J.C., (1909) -  Sikkim and Bhutan.: Twenty One Years on the North East Frontier: 1887-1908. Pilgrims Publishing. Varanasi. Reprint, 2005.

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